Harmony in Death: The Symbolic, Social, and Ecological Dimensions of Mekinsan di Geni
Keywords:
Mekinsan di Geni , Pitara Yadnya, Tri Hita Karana, Ritual Waste, Balinese Hinduism, SustainabilityAbstract
Waste management in Bali has become an increasingly complex issue, arising not only from household and tourism activities but also from traditional religious rituals that produce substantial amounts of waste. Organic ritual materials such as coconut leaves, flowers, and fruits are biodegradable; however, their sheer volume, especially when mixed with non-biodegradable materials such as plastic and synthetic fabrics, creates significant environmental challenges. Against this backdrop, the Mekinsan di Geni tradition in Nagasepaha Village, Buleleng Regency, offers a compelling example of ritual practice that integrates symbolic, social, and ecological dimensions. This study employs a qualitative descriptive approach, utilizing participant observation, in-depth interviews, and documentation to analyze the meanings embedded in Mekinsan di Geni. The findings reveal that symbolically, the ritual functions as an enactment of pitara yadnya and reflects the return of human existence to the cosmos through the panca mahabhuta. Socially, it fosters solidarity and strengthens communal identity through collective participation. Ecologically, the requirement for families to clean the ritual site within three days demonstrates an environmental ethic aligned with the Palemahan principle of Tri Hita Karana. Thus, Mekinsan di Geni not only serves as a religious practice but also as a form of local wisdom with relevance for contemporary waste management challenges in Bali, offering educational insights into sustainable cultural practices for future generations.

